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Now that Nikon is shipping their new 200-500mm f/5.6e VR lens, one common question I am asked is how does it compare with the Tamron 150-600mm f/5-6.3 VC USD. The lenses are similar enough that I decided to do a side-by-side test with the differences between the lenses noted. Read more Nikon 200-500 vs Tamron 150-600 Lens Comparison
For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models. It features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time. Read more Canon EF 8-15mm f/4L Fisheye USM Lens Review
One question I am frequently asked is how does the Tamron 70-300mm f/4-5.6 VC USD compare with the Canon EF70-300mm f/4-5.6 IS USM. The answer is “extremely well”. But don’t take my word for it, look at these purely non-scientific examples for yourself. Read more Canon 70-300mm IS vs Tamron 70-300mm VC